The Albertina is devoting a large monographic exhibition to Claude Monet's treatment of color, which has seen little examination to date, as well as to the painter's passionate fascination with the world of plants and water in the garden of his country home in Giverny. Three paintings from the museum's own holdings as well as important loan works from international museums and private collections illuminate Monet's development from realism to impressionism and onward to a mode of painting in which colors and light gradually separate from the subjects that reflect them, with the motif breaking free from mere observation of nature. Eventually, albeit only after Monet's death, these late works would pave the way for abstract expressionism in painting. On view from 21 September 2018 until 6 January 2019. This exhibition is realized with the generous support of the Musee Marmottan Monet, Paris.--Albertina Museum website

"More than any other artist, Claude Monet represents Impressionist painting. This volume illustrates Monet's career from Realism via Impressionism to a form of painting in which the colours and light gradually become detached from the object. Focus is laid on his passionate exploration of the landscape along the Seine, the coasts of France and the motifs of his garden in Giverny."

• Klaus Albrecht Schroder, Patrick de Carolis
• Heinz Widauer
• Heinz Widauer
• Heinz Widauer
• Heinz Widauer
• Gunhild Bauer
• Heinz Widauer
• Marianne Mathieu
• Dieter Buchhart
• Claude Monet (1840-1926): Pioneer and Doyen of Impressionism : Introduction / From Pleinairism to Impressionism : 1864-1874 / Argenteuil : The cradle of Impressionism : 1871-1878 / Vetheuil : The turning point : 1878-1881 / Monet's journeys of the 1880s : "Plunging both hands into the ocean" : 1880-1888 / The series from the 1890s and the late work : 1889-1926 / Giverny : 1883-1926 / Monet's abstract textures /