Art and social change

Art and social change: a critical reader

Preface Charles Esche
Will Bradley
Gustave Courbet
William Morris and E. Belfort Bax
William Morris
John Reed
Richard Huelsenbeck
Komfut
Varvara Stepanova
William Pickens
Theo van Doesburg
Mieczyslaw Szczuka
The John Reed Club of New York
The Surrealist Group
Oswald De Andrade
Kurt Tucholsky and John Heartfield
Kostufra
Kostufra
Felicia Browne
British Surrealist Group
Laszlo Mohholy-Nagy Inroduction Part I: 1871
Letters, October 1870-April 1871 29 October 1870
18 March 1871
7 April 1871
30 April 1871
Socialism from the root up The socialist ideal: art The war in Paterson Part II: 1917
En avant DADA: a history of Dadaism Programme declaration A general theory of constructivism Art and propaganda The end of art Art and reality Draft manifesto Open the prisons! disband the army /The Surrealist Group
Revolution now and forever! Cannibalist manifest Deutschland Deutschland uber alles Bauhaus no. 3 the student's voice The fall of Hannes Meyer Letter, August 1936 We ask your attention Vision in motion

Part IV: 1989
Desiderio Navarro
Guillermo Gomez-Pena and Emily Hicks, interviewed by Coco Fusco
Tom Kalin, Michael Nesline, and John Lindell
Christoph Schafer and Cathy Skene with the Hafenrandverein
RevArte
Collective Ip Gim
Tiqqun
Colectivo Situaciones
Richard Dominguez interviewed by Benjamin Shepard and Stephen Duncombe
Hito Steyerl
Raqs Media Collective
Brian Holmes
Jeon Yongseok
Stephan Dillemuth, Anthony Davies and Jakob Jakobsen
Gerald Raunig
John Milner
Lucy R. Lippard
Geeta Kapur
Tirdad Zolghadr
Marina Vishmidt Geometric retroabstraction The border art workshop: Taller de Arte Fronterizo A presentation gran fury Rebellion on level p Popotia Statement by the feminist artist How to? Politicising sadness Mayan technologies and the theory of electronic civil disobedience The articulation of protest A concise lexicon of/for the digital commons The revenge of the concept: artistc exchanges, networked resistance Drifting producers There is no alternative: the future is self-organised Part V: Commissioned essays
The many ands of art and revolution Rebuilding the art of the people Time capsule Secular artist, citizen artist Selling the air: notes on art and the desire for social change in Tehran Line describing a curb asymptotes about Valie Export, the new urbanism and contemporary art

Part III: 1968
Guy Debord, Attila Kotanyi, Raoul Vaneigem
Response to a questionnaire from the center for socio-experimental art situationist international J.V. Martin, Jan Strijbosch, Raoul Vaneigem, Rene Vienet
Black Mask
Black Mask
Sture Johannesson
Albert Hunt
Ronald G. Davis
The San Francisco Diggers
The San Francisco Diggers
The Avant-Garde Artists Group
The Avant-Garde Artists Group
Atelier Populaire
Emory Douglas
Hans Haacke
Guerrilla Art Action Group
Guerrilla Art Action Group
Guerrilla Art Action Group Theses on the Paris commune situationist international Statement Art and revolution Psychedelic manifesto Hopes for great happenings Guerrilla theatre Trip without a ticket The post-competitive, comparative game of a free city Experience 68 Tucuman Arde Posters from the revolution, Paris, May 1968 Position paper no. 1: on revolutionary art Letter, April 1968 Manifesto for the Guerrilla Art Action Group A call for the immediate resignation of all the Rockefellers from the board of trustees of the Museum of Modern Art Letter to Richard M. Nixon

Insertions into ideological circuits 1970-75 Cildo Meireles
Phyllis Gershuny and Beryl Korot
Gene Youngblood
Paul Ryan
The Kabouters
Valie Export
Mone Gonzalez
Solvognen
Augusto Boal
Zoran Popovic
Sture Johannesson
Bonnie Sherk
Valerie Jaudon and Joyce Kozloff
Adrian Piper
Peter Dunn and Lorraine Leeson Dispatches from an unofficial war artist Peter Kennard
Laibach
Orange Alternative Radical software, vol. 1 no. 1, the alternate television movment The videosphere Cybernetic guerrilla warfare Proclamation of the orange free state Call to the artists of Latin America
Women's art: a manifesto Notes on street art by the brigadas Ramona Parra Resolutions of the third world filmmakers meeting in Algiers
Press release, September 1976 Invisible theatre For self-management art The sword is mightier than the Swede Position paper: crossroads community (the farm) Art hysterical notions of progress and culture Ideology, confrontation and political self-awareness The Docklands photo-murals Ten items of the covenant Flyer for the rev-revue of soc-fashion

Published London : Tate Publishing in association with Afterall, 2007

Language English

Material 479 p.

ISBN 1854376268 / 9781854376268

N 72 .S6 A784 2007 C.1

TCDC Bangkok - Closed Stack

N 72 .S6 A784 2007 C.2

TCDC Bangkok - Closed Stack