Book
Transience: Chinese experimental art at the end of the twentieth century
Table Of Contents
- Introduction pushing the limits Chinese experimental art from 1979 to 1999
- Xu Bing, Ghosts pounding the wall
- Wenda Gu, Pseudo Seal-Script
- Zhang Hongtu, Stude
- Xing Danwen, Born with the cultural revolution
- Song Dong, Breathing
- Mo Yi, Made by the police department 1 and 2
- Sui Jianguo, Earthly Force
- Yu Fan, My Mother
- Cai Jin, Beauty banana plant No.48
- Shi Chong, The stage
- Yuan Dongping, Sisters
- Zhang Huan, 12 square meters Demystification
- Counter-monument Anti-writteng Nothing beyond the gate Mao revisited Still breathing Remembering Silence Representing the ordinary Ruins
- Rotten red Fragmentation as creation Human waste Speaking the unspeakable
- Demolition project Zhan Wang, Temptation
- Rong Dong, Untitled
- Yin Xiuzhen, Suitcase
- Zhan Wang, Ornamental rock
- Zhu Fadong, This person is for sale
- Yu Hong, Flying
- Zeng Hao, 5:00 p.m. in the afternoon
- Wang Jin, A Chinese dream
- Liu Zheng, Peking Opera Scenes
- Qiu Zhijie, Tattoo 1 and 2
- Ruin picture Sealed memory Transience
- Surface State of being Zero gravity Interior time/space Translucency Fallen angles Invisibility Coda a brief reflection on the study of contemporary Chinese experimental art
Subject
Exhibitions / Art, Chinese / Art, Modern / 20th century
Details
Published
Chicago : The David and Alfred Smart Museum of Art, The University of Chicago, 2005
Language
English
Material
214 p.
ISBN
0226360717
Location
TCDC Bangkok - Closed Stack
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