Book

Minimalism: art and polemics in the sixties

by  James Sampson Meyer

Table Of Contents

  • Introduction
  • A minimal field
  • Minimal polemics
  • Spring 1966: a tour of "Primary structures"
  • 1959-1962: the early years
  • 1963: the emergence of Judd and Morris
  • Truitt at Andre Emmerich
  • 1964: Introduction to the "minimal" 1: "Black, White, and Gray"
  • Introduction to the "minimal" 2: "Everyman's infinite art"; Di Suvero's attact
  • Introduction to the "minimal" 3: the art student's doubt
  • Flavin, Judd, and Stella interviewed enter Flavin: "Eleven artists"
  • "8 Young artists"
  • Morris's plywood show
  • 1965: "Shape and structure: 1965" the fight for Stella's "soul"
  • Andre's styrofoam show: sculpture-as-place
  • "Specific objects"
  • "Minimal art" and "ABC art": popularization of the "minimal"
  • 1966: Morris's "Notes on sculpture"
  • The serial attitude: Judd at Castelli, "Systemic Painting," and the Finch Shows
  • Seriality as negation
  • Andre's brick show
  • LeWitt at the Dwan Gallery: displacement into conceptualism
  • 1967: the critiques of Greenberg and Fried
  • "Recentness of sculpture": minimalism and "Good design"
  • The case for Truitt: minimalism and gender
  • The aesthetics of doubt: WArt and objecthood"
  • 1968: Canonization/Critique
  • Judd's Whitney show and Battcock's anthology
  • "The art of the real: USA 1948-1968" and the reception abroad
  • "Minimal art," "Anti form," and the social critique of minimalism
  • Notes

Subject

Minimal art / Art, American / 20th century

Details

Published New Haven : Yale University Press, 2001, [2004]
Language English
Material viii, 340 p.
ISBN 0300105908
Location
N 6512.5 .M5 M6127 2004 C.1
TCDC Bangkok - Closed Stack2
N 6512.5 .M5 M6127 2004 C.2
miniTCDC - URU

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