This book presents the first focused investigation of Francisco Goya's (1746-1828) graphic output. Spanning six decades, Goya's works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work--from his early etchings after Velazquez through print series such as the 'Caprichos' and 'The Disasters of War' to his late lithographs, 'The Bulls of Bordeaux', and including albums of drawings that reveal the artist's nightmares, dreams, and visions. Exhibition: Metropolitan Museum of Art, New York, USA (08.02.-02.05.2021)

• Director's foreword
• Mark McDonald
• Jesusa Vega
• Mark McDonald, Mercedes Cerón-Peña, and Francisco J.R. Chaparro. Graphic beginnings
• Francisco J.R. Chaparro.credits Preface and acknowledgments
• Contributors
• Lenders to the exhibition
• Note to the reader
• Goya's graphic imagination / Goya in context / CATALOGUE / First albums: a new way off drawing
• Los Caprichos: between observation and imagination
• The Disasters of war
• The Inquisition and Images of Spain albums
• Tauromaquia: violent beauty
• The black border and witches and old women albums
• Disparates: the absence of reason
• Exile in Bordeaux and final years
• Chronology /