Ludwig Mies van der Rohe (1886-1969), one of the 20th century's most important architects, created numerous montages and collages between 1910 and 1965 that are fascinating illustrations of the design principles of his architecture. These works, most of them large-format, are far more than merely sketches that accompanied his creative process as an architect. They are works of art in their own right that show Mies van der Rohe's structural vision in its purest form. Like almost no other visual art technique, collage and photomontage reflect the aesthetic principles, the zeitgeist, and the attitude to life of Modernism

• Montage collage
• Brigitte Franzen
• Dietrich Neumann
• Adrian Sudhalter
• Lutz Robbers
• Martino Stierli
• Lena B??chel
• Barry Bergdoll
• Holger Otten
• Andreas Beitin
• Wolf Eiermann Dissociation of time : Some ideas on Mies and collage / Mies, Dada, montage : Notes on a reception history / Friedrichstrasse : The contexts of an image, 1922-1924 / "This type lives": Montages of architectonic imagery / Montage collage
• The visuality of space and the space of vision : On Mies van der Rohe's late photocollages / Between reality and ideal : The function of collage in Mies van der Rohe's oeuvre in relation to the design context / Montage collage
• Walk-in collage : Mies van der Rohe's design of his 1947 exhibition at MoMA / "Architecture, painting, and sculpture as a creative unity" : About Mies van der Rohe's visions on art and architecture / Montage collage
• From Glashaus to "glass houses" : Mies van der Rohe's collages in the context of contemporary art / The museum design for Schweinfurt /