Book

The language of the goddess

by  Marija Alseikaite Gimbutas

Table Of Contents

  • Frog, hedgehog, and fish
  • Frog and toad
  • Hedgehog
  • Fish
  • Bull, bee, and butterfly
  • The bull and symbols of "Becoming"
  • Bucrania in subterranean tombs
  • The bull and the waters of life
  • "Bull flowers"
  • Bull-begotten bees and butterflies
  • The Minoan butterfly
  • The butterfly in folkore
  • Energy and unfolding
  • Spiral, lunar cycle, snake coil, hook and axe
  • Spiral
  • Lunar cycle
  • Snake coil
  • Hook and axe
  • Opposed spirals, whirls, comb, brush, and animal whrils
  • Opposed spirals, caterpillars, and snake heads
  • Whrils and four-corner designs
  • Brush and comb
  • Animal whrils and processions
  • Hands and feet of the goddess
  • Standing stones and circles
  • Conclusions
  • The place and funtion of the goddess
  • Continuity and transformation of the goddess in the Indo-European and Christian Eras
  • The world view of the culture of the goddess
  • The renewing and eternal earth
  • Earth mother
  • The pregnant goddess in the Upper Paleolithic, Neolithic, and Copper age
  • Lozenge and triangle-with-dots as symbols of fertility
  • The sow, double of the goddess
  • Sacred bread
  • Hikk and stone (omphalos) as metaphor of the pregnant earth mother
  • The tomb is womb
  • Holed stones
  • The eternal earth mother
  • Power of two
  • Doubles
  • Double egg-shaped buttocks
  • The double-fruit or double-grain glyph
  • Two lines across a vulva, seed, egg, and the face, body, or buttocks of the goddess
  • Two double-headed goddess and mother-daughter images
  • The summer/winter duality
  • Male gods and daimones
  • Master of animals : animal-masked and robed men
  • Participants in rithuals
  • Fertility daimondes
  • The year god : a strong and dying vegetation god
  • Passion of the flax and the dying god
  • Death and regeneration
  • Symbols of death
  • Vulture
  • Owl
  • Cuckoo, hawk, and dove
  • Boar
  • Howling dog, Stiff white lady
  • Stiff nudes of the Hamangia, Karanovo and Cucuteni cultures
  • Stiff nudes of Sicily, Sardinia, the Cyclades, Crete and Turkey
  • Stiff nudes of Spain and Portugal
  • Stiff nudes in Danubian Bronze age graves
  • Burial of the goddess's mask (gorgoneion)
  • The white lady as death messenger in European folk traditions
  • The killer-regeneratrix or witch, an image continuing to the 20th century
  • Killer-regeneratrix as old hag, dry bones, and winter
  • Egg, The cosmogonic egg
  • Egg and uerus
  • Egg and symbols of "Becoming"
  • The tomb as egg
  • Column of life
  • Within the egg
  • Within the cave and crypt
  • Within the tomb/womb
  • As snake aand phallus in painting and sculpture
  • Dogs and goats flanking the column of life
  • Regenerative Vulva : triangle, hourglass, and the bird's claws
  • Triangle
  • Hourglass
  • Bird's claws
  • Ship of renewal
  • Vulva and birth
  • Earliest portrayals
  • In association with aquatic symbols, seeds, and sprouts
  • Exposed vulva and birth-giving posture
  • Birth shrines
  • Mistress of animals and the Queen of mountains
  • The life-giving goddess in historical times
  • Cretan Artemis, Eileithyia, Roman Diana, Venetic Rehtia
  • Irish and Scottish Brigit
  • Recapitulation
  • Deer and bear as Primeval mothers
  • The deer, sacred animal of the birth-giving goddess
  • The bear mother
  • Bear-shaped vases
  • Snake
  • The snake and snake coil in the Upper Paleolithic and Neolithic
  • The snake coil in association with aquatic symbols
  • The anthropomorphic snake of the Neolithic
  • The snake goddesses of the bronze and iron ages
  • The snakes goddess worshipped in house-shrines
  • The descendants of the prehistoric snake goddess and other snake deities in history and folklore
  • The persistence of snake worship to the 20th century
  • Male counterpart of the snake goddess
  • Hermes, snake, phallus, and Asklepios, the Savior-Healer
  • The snake as a household divinity
  • Life-giving
  • On upper Paleolithic and Mesolithic bird figures and bird-woman hybrids
  • As earliest decorative motifs on Neolithic pottery
  • Chevrons, V's, beaks and birds
  • The chevron on schematic figurines seals, and cult bessels
  • Chevrons and V's composing the arms and legs og the goddess
  • Zig-zag, the image of water
  • Single and multiple M's on vases
  • M attatched to a chevron or V
  • Under the face of a deity
  • Meander and waterbirds
  • Its origin in the Upper Paleolithic and association with the waterbird
  • On ducks and bird goddess sculptures
  • On seals, spindle whorls, plaques, and ritual objects
  • As a decorative design motif on ceramics
  • Breats of the bird goddess
  • Upper Paleolithic figurines with breast-shaped pendants
  • Neolithic figurines with breasts marked with bird goddess symbols
  • The goddess as a vase with breasts, nipples vase, and jug
  • The bird goddess's breasts on stone stelae and megalithic graves
  • Breast-shaped amulets
  • Streams
  • On Upper Paleolithic and Mesolithic objects and figurines
  • As symbolic designs on vases
  • Parallel-line squares on cult vessels and figurines
  • Holed vessels
  • Eyes of the goddess
  • As a source of divine liquids
  • Vinca lids and marks
  • The "Eye goddess" of western Europe
  • As a snake coils, ram horns, and eyes of the sun
  • As cupmarks and wells
  • Open-mouth/beak of the goddess
  • On figurines and shrine models
  • The goddess as a container with open mouth/spout
  • Giver of crafts : associations with spinning, weaving, metallurgy and musical instruments
  • Spinning and weaving
  • Metallurgy and flint mining
  • Music
  • The ram, animal of the bird goddess
  • Ram horns as stair motif on Neolithic vases ans seals
  • The goddess's symbols on ram figurines
  • Fused with bird goddess features in one image
  • In later times and in European folklore
  • Net motif
  • In the Upper Paleolithic
  • Net-patterned squares in Neolithic caves
  • On amulets, seals, lids, and vase bases
  • The framed net : lozenges, circles, eggs, uteri, and vulvas on ceramics
  • Net and checkerboard
  • On spouted and anthropomorthic vases, figurines, and zoomorphic containers
  • Tri-line and power of three
  • On Upper Paleolithic images
  • On seals, figurines, and vases
  • Associations with the symbolism of "Beginning" and "Becoming"
  • Emanating from the mouth of the goddess

Subject

Goddesses / Symbolism / Prehistoric peoples / Religion, Prehistoric

Details

Published London : Thames & Hudson, 2006,
Language English
Material xxiii, 388 p.
ISBN 0500282498 / 9780500282496
Location
TCDC Bangkok - General Collection
TCDC Bangkok - Closed Stack

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