Art direction explained, at last!

Section three: Auto art direction
Dimitri Jeurissen, Base: Brussels, Belgium
Christoph Niemann & Nicholas Blechman: New York
Eike Konig, Hort: Berlin, Germany
Vince Frost: Sydney, Australia
John Fulbrook III: New York, NY, USA
Sylvia Tournerie & Gilles Poplin: Paris, France
Tim Hossler: Miami Beach, Florida, USA
Khoi Vinh: New York, NY, USA
Ross MacDonald: Newtown, connecticut, USA
Debbie Millman: New York, NY, USA
Peter Buchanan-Smith: New York, NY, USA
Vincent Perrottet: Saron-sur-Aube, France
Laurie Rosenwald: Gothenburg, Sweden
Art Director Nomenclature
Thomas Porostocky
Job Listings
A historical quiz Art direction? gathering people directing people The illustrator's guide to art direction The creative process Thoughts from Sydney Once upon a time... Editorial design and typography 16 Notes on life as a museum art director Art direction goes digital Art directing myself What's the next new thing in bottled water? Glossary Life, liberty, and the pursuit of happiness Art direcors I have known, loved, respected, and reviled Section four: Nuts and bolts
What do we call ourselves? Handy art director sayings What and where All of the above

A Fable/Preamble: "I Am An Art Director," said the fox, Brian Collins
Introduction: Two authurs talk art direction
Foreword: Art direction Beckons
Preface: To be an art director, you must have...
Section one: What is an art director?
Art direction: What makes a great art director?
Tom Bodkin: Confessions of A GAD
Photography: Picture magazine revolution
Typography: Talking type 1930 style
Illustration: Pastiche-The thin line between right and wrong
Editing: The art director as editor
Test: Take the art director test
Section two: Creative tension 101 (What makes art direction work)
The theatrics of scale: case stutdy: The Drawbridge
The value of multiple entry points: case study: McSweeney's quarterly concern
The alluring art of allure: case study: Kiehl's cosmetic packages
The rewards of black-and-white: case study: Lloyd Ziff's travel photography
The use of parallel narratives: case study: Robert Delpire's Les Americains
The panache of DOO-DADS: case study: Gail Anderson's Posters
The impact of strikethroughs: case study: Paul Sahre's tolerance poster
The power of the diagonal: case study: Peter Knapp's Courreges Spread, Elle Magazine, 1965
The difference between what and how: case study: Rmn.fr Website, designed by Vier5

Published London : Laurence King, 2009

Language English

Material 256 p.

ISBN 9781856696241

NC 1001 H477 2009 C.1

Showcase related - Wes Anderson

NC 1001 H477 2009 C.2

miniTCDC - CRRU