Book

Art in the Medieval West and its audience

by  Madeline Harrison Caviness

Table Of Contents

  • Medieval views of 'art' VS modern analysis
  • 'De convenientia et cohaerentia antiqui et novi Operis': medieval conservation, restoration, pastiche and forgery
  • Images of divine order and third mode of seeing
  • 'The simple perception of matter' and the representation of narrative, ca. 1180-1280
  • The rationalization of sight and the authority of visions? A feminist (re)vision
  • Designers, patrons, and ideologies
  • Conflicts between regnum and sacerdotium as reflected in a Canterbury Psalter of ca. 1215
  • Anchoress, abbess, and queen: donors and patrons or intercessors and matrons?
  • Gender symbolism and text image relationships: Hildegard of Bingen's Scivias
  • Hildegard as designer of the illustrations to her works
  • Modern and post-modern views of medieval art
  • Broadening the definitions of 'art': the reception of medieval works in the context of post-impressionist movements
  • The politics of conservation and the role of the Corpus Vitrearum in the preservation of stained glass windows
  • Learning from forest lawn
  • Artistic integration in Gothic buildings: a post-modern construct?
  • Obscenity and alterity: images that shock and offend us / them, now / then?
  • The feminist project: pressuring the medieval object

Subject

Art, Medieval / Art appreciation

Details

Part of Series Collected studies ;
Published Aldershot ; Burlington USA : Ashgate, 2001
Language English
Material 1 v. (various pagings)
ISBN 0860788601
Location
N 5975 .G7 C38 2001
In Process - TCDC Bangkok Transit

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