A New history of photography

Introduction: The age of light Michel Frizot
Michel Frizot
Timm Starl
Michel Frizot
Michel Frizot
The photographer’s studio Jean Sagen
Photography and the recording of history Hubertus von Amelunxen
Francoise Heilbrun
Pierre-Marc Richard
Mike Weaver
Elvire Perego
Jean-Claude Gautrand Light machines: On the threshold of invention A new world of pictures: The use and spread of the daguerreotype process Automated drawing: the truthfulness of the calotype The transparent medium:From industrial product to the salon des Beaux-arts All kinds of portraits The century’s Memorial Around the world: explorers, travelers, and tourists Life in three dimensions: The charms of stereoscopy Artistic aspirations: The lure of fine art The urban machine: Architecture and industry The photography on the sour of the moment: Instant impressions

Speed of photography: Movement and duration Michel Frizot
Michel Frizot
Michel Frizot
Anne Hammond
Peter C. Bunnell
Elvire Perego
Thilo Koenig
Pierre Albert and Gilles Feyel
Michel Frizot
Molly Nesbit
Michel Frizot
Michel Frizot Body of evidence: The ethnophotography of difference The all-powerful eye: The forms of the invisible Naturalistic vision and symbolist image: the pictorial impulse Towards new photography: Renewals of pictorialism Intimate moments and secret gardens: the artist as amateur photographer The other half: the investigation of society Photography and the media: changes in the illustrated press States of things: Image and aura Photography and history: Eugene Atget A natural strangeness: the hypothesis of color Metamorphoses of the image: Photo graphics and the alienation of meaning

Figures of style: New vision, new photography Andreas Haus and Michel Frizot
John Pultz
Pierre Vaisse
Ian Jeffrey
Francoise Ducros
Thomas Michael Gunther
fred Ritchin
Jean-Claude Gautrand
Colin Westerbeck
Shelley Rice
Chihiro Minato
Stuart Alexander
Michel Frizot
Yves Michaud
Michel Frizot Austerity and clarity: new photography in the United states, 1920-1940 Portrait of society: the anonymous and the famous The way life goes: suffering and hope The dream of beauty: fashion and fantasy The spread of photography: commissions, advertising, publishing Close witness: the involvement of the photojournalist Looking at others: Humanism and neo-realism On the road and in the street: the post war period in the United states Beyond reality: the subjective vision Japan and photography: in quest of the other Photographic institutions and practices The sensitive surface: Photographic substrate, imprint, memory Forms of looking: philosophy and photography Rituals and customs: photographs as memories

Published Koln : Konemann, 1998

Language English

Material 775 p.

ISBN 3829013280

TR 15 N9346 1998 C.1

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